Technology Applications:
Sustainable
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You don't have to redo the
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how to
harness this energy, what to do with it, and how to sustain, recycle
and operate thousands of acres with this clean energy while being !! extremely
profitable !!. This is a detailed 'How-To' follow-thru
book which includes all you need to know;like site pictures,
technical
data and analysis. You will be amazed! Run your resort -
smartly and watch the world come to you!
In this
edition - value will be found by venture capital, angel funding by
serious entrepreneurs.
MASTER RESEARCH
PROJECT
$MAKE
OFFER
MASTER RESEARCH
PROJECT
will include
my expertise on Information Management Technology and onsite product
development plan.
Author
is
willing to look at a long-term partnership during the construction and
operational phase, while assuring all systems are performing as
planned.
Strategic
vision is something not all people are entrusted
with. Neither $dollars$ or time can provide the proper mix...when
found, one must cherish that relationship...continuity, performance and
reputation is built on vision and stability.
Technology Applications:
Sustainable
Alternative Energy and 5-Star Resorts.
You won't be
dissapointed - I can prove it!!! One-hour with me and you will be
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MASTER RESEARCH
PROJECT
LyleK'ang, Masters of
Business Administration / Information Management
Lyle K'ang (right) in Class 'A' Uniform - Basic Training - San Antonio, TX.
Credit to RogerOlayos,
(far left) my best friend in the Air Force for submitting this newsprint from a Mountain
Home newspaper. (c) 2007, 2008 LyleK'ang
United
States Air
Force - Base Honor Guard
- Vietnam era Veterans -
17 year old, LyleK'ang carries the American Flag in honor of our fallen
war
heroes.
These honor
guard members served in the U.S. Air Force during the Vietnam
War years. Lyle served for six years in the USAF and later for another seven years in
the National Guard and Army Guard. He was a member of the base's elite
honor guard which traveled more and more across the state of Idaho to bury it's war dead. Later he was called to train and call 'drill team' cadence as they marched through Cities.
Each one of
them knew first-hand what it was to grieve so heavily. Several
members took turns acting as pall bearers, performing the 21-gun salute
and presenting the 'colors' to grieving families for several years.
One of Lyle's featured songs, 'Little Boy Joe'on
his debut album:
BEFORE
3003
PEACE
AND TRANQUILITY
is about
'flag-draped coffins' and what it really stands for.
USAF - Base
Talent Show - 2nd Place Winners
17 years old,
LyleK'ang (second from right) sings acapella do-wop music. The group called
itself no name spelled backwards; The Emanon's.
A BROADWAY
MUSICAL PRODUCTION:
BILLED
AS
'AMERICA'S
#1 ROCK-N-ROLL MUSICAL'
IN LAS VEGAS...
LyleK'ang WAS Claude from 1969 - 1972. He was chosen in Honolulu to be the lead in the original Hawai'i show (Pakalolo Tribe), which later became the Las Vegas cast.
After a one-year run at the International Hilton, Lyle joined the
Mercury, then Venus touring companies, playing to hundreds of thousands
of emotionally-charged audiences in large and medium-sized cities and
towns throughout the US and in Canada. It was in Niles,
Illinois (December of 1972) that the final curtain came down on the last
American HAiR bus-and-truck company of the era.
"Where Do I Go" resonated loudly for Lyle that night. By 1973, he had gone back to the land to farm and heal his
sensitive spirit on the Big Island of Hawai'i.
Lyle in Connecticut
- Shubert Theatre
At The
Theater - Hair Once Again
by E.S. New
Haven, CT newspaper - circa September 12,
1971
"The
actors were a little thinner this time, the boys better muscled, the
girls shaplier, the whole job a little more professional. And
that didn't do the show a mite of harm...The most compelling performer
was the lead himself, LyleK'ang."
He has
favorite cities - St.
Petersburg, Florida and New
Orleans was his best cities ever. He
especially loved the way the crowd applauded by stamping their
feet on the auditorium floor. The screams during a show was deafening
at times. The mayor presented the 'key' to New Orleans to Lyle and his tribe.
/\\|||||||||//\
Trk.
5, 'DARLING', ('children
of the rainbow') should be listened to with an intent to
connect underpinnings which stir as a gentle breeze, no matter the
depth of tragedy or harmonious elation. It is more than just a quick
fly-by.
SONG
#5 - DARLING
[[LYLE]]
This is one of those
songs that came to me fully formed -- from where, I don’t
know. After listening to it hundreds of times, I
finally heard the message. It’s the story
of how we lived for a short time in Laupahoehoe, found the BigIsland farm in Pauilo, mauka where I reconnected with nature, raised a farm
with children and healed from a life “on the road.”
It was the beautiful people and a definite spirit form there
which made the transformation easier for me. Laupahoehoe is the site
where a large tsunami breached the shoreline, crashed into the school
where the children were intent on learning. During our weeks of camping
there, when we listened in the wee hours, somebody called out almost
silently from the dark, pitch of night; still silent, small voices
could be heard...we felt it, we acknowledged the gift; we left the next
day, permanently and profoundly changed!!
The
following is copywrited; no part is to be copied, distributed, or
emailed, except when sharing this web page over the internet. All
photgraphs are the personal collection of said author, to be shared
with you for the purpose of information exchange. All content is to
remain on this page. (c) 2008, 2009. LyleK'ang.
Human Tribe Productions.
Why I Cry!
Years and months later, and more today than ever, I still cry - I thought I had a problem. There is a story in Hawaiian folklore that speaks of a God called Ka'ne.
His treasure is the water, hence the name, 'the healing water's of Ka'ne. Upon arriving in Hawai'i after HAIR disbanded, December 24th, 1972 and after staying with you for a short spell in Rising Glen, I went through chaos, my personal primal screams, and started on a spiritual transformation that had lasted some seven years. This transformation continues today where I find myself drawn closer to my writing's on business subjects, soon to start and develop my personal story.
During this transformation, my family and I had unusual spiritual encounters on the Big Island of Hawai'i. We saw many things. Spiritual manifestations, that when shared with the Park Services on the Big Island during a volcanic eruption, we were told, Pe'le has many faces and we are all in anticipation because she promises a great show!
My crying did not stop even when I found the perfect woman and family of three boys. The Healing Waters of Ka'ne came mostly at inopportune times. While singing at concerts with my autoharp, being alone, or with people.
I started to ride a Harley motor cycle, my younger brother, just back from serving in the 101st Airborne, rode a Triumph right beside me. He had his friends that were also Vietnam war Vets. Mostly we were silent, listening to our engines and the roar of the mufflers were just good enough then. My riding gear consisted of my class 'A' dress uniform, a swastika over my heart, and a real German chromed helmet. We all suffered from a silent rage.
During my time in the Air Force, I was a heating system specialist-taking care of oil-fired boilers on the flight line and family housing during winter months. On the flight line lived the pilots' ready to go up in the B-52's at minutes notice, arriving in Guam hours later, then on to VietNam.
A sergeant approached me and wanted me to help him form an honor guard for the base. He had heard that I was good at calling out commands and cadence. (learned these techniques in the Hawai'i Civil Air Patrol; though I wanted to raise pigeons, my mother insisted I join the C.A.P.) I joined his group and lent my expertise, later realizing that we together, had formed an extraordinary drill team. Our main function besides marching in parades in places like Parma, Twin Falls, Kellogg, Boise, & Mountain Home, Idaho was to bury the war's returning dead.
The correct method of folding the American Flag was practiced repeatedly. We would take turns presenting the flag to widows, children, and kin. It appeared that after several burials throughout the course of several months that ran into a year or more, before my term of enlistment was up, many fellow Honor Guard airmen started to hand-off the task to present the flag to me. I did it squarely, with honor, and dignity.
I listened to the bugler playing his faraway notes after the shock of twenty-one guns blasted the silence, shattering the families last hope of dignity, where intimacy was sacred, now all was revealed. The weeping, knashing of teeth and wails of torment, no one should see over and over again.
During the coming days and months the frequency of burials and parades escalated. I was now twenty-one years old; came in when I was seventeen. I have not visited this place in my mind until 1969 when I was chosen to play the lead role of 'Claude' in the Hawaiian production of HAIR.
Later, we found that a theater was not available on the island of O'ahu because of community protests-mostly by the Japanese community. A home eventually was secured for us in Las Vegas for a one-year run at the International Hilton Hotel.
Several scenes in HAIR, were sacred -spiritual in nature that had the power then just as it does today, to manage to find its way deep inside the psychi and conjure up those burial images and places traveled before; these were well kept secrets.
Now waiting and demanding to reveal themselves; their rightful place lying down beside me, as 'Claude' lay dead on stage. No, it wasn't simple. Images came during the Vietnam War songs, walking across the stage coming for my friends, and just the right amount of movement, I made the images disappear. They managed to come back heavy, during Mercury and Venus National tours.
Then finally, when I had learned how to cry, by just letting it happen-it stopped!
To this day- I still cry, the images are gone; I cry over silly things, like injustices, rain forests destroyed, indigenous peoples slaughtered and babies neglected. I run with rage at incompetence, and conscious neglect, arrogance and puffed up egos, and yet I am only human, still trying to connect with my God to turn righteous anger into works of miracles.
The compassionate nature of the spirit through feelings and imagery is enough for comprehension. I owe a debt to our fallen heroes, spirits who commune, and thousands upon thousands of 'children of the rainbow' who have suffered and continue to suffer in agony without the light of day, never experiencing lasting joy.
Peace my friend,
Lyle K'ang
(c) 2004, 2009 Lyle K'ang. All rights Reserved.
Thanks You Guys - 'By the Sea' is shaken' because of YOU!!!
'Head Over Heels' is a movin' because of YOU!!!
TM
Executive
Producer: JULIE TAVARES
Co-Producer:
LYLE K'ANG
Las Vegas,
Nevada
ASCAP
MEMBER, BMI, ACTOR'S EQUITY, AGVA, AFTRA.
BEFORE
3003
PEACE
AND TRANQUILITY
(C)
(P) 2006-2009 Lyle K'ang, Human Tribe Productions.
Books and
music authored by
Lyle K'ang. A prolific writer who has written about business
from a Technology point-of-view, AND VOCAL LYRICS creating an insiders
view from a performing actor and
musical focus.
Lyle K'ang
As
a corporate Boeing geek, and their corporate network
infrastructure manager and later as a business system
manager, was charged with implementing Performance Management,
VoIP, and Wireless to Commercial Airplanes 58,000 node Information
Network infrastructure and world-wide factories.
He was
successful with these and similar projects, because of
his innate focus and ability to 'see' the larger, more efficient
enterprise layout. The expertise, quality control and performance
structures each member from around the globe brought to his meetings
were highly welcomed. He constantly relies on experience and other
communication skills for successful performance measurements.
As
a past Chief Executive Officer
for an International Technology firm in the late '90's, he knows how
important changing skills needs to be always coupled
with up to date information. Not neccessarily for technologies sake -
he constantly discovers limitations within technology as it is unable
to decipher his sometimes complex plans gathered through vision.
He has a Masters of Business Administration specialization in
Information Management. His technical skills span some twenty-years in
IT.
After growing
his family of three boys - sending them off to college - watching them
create their own destiny, families and their own precious life, he
said, "It's Dad's Turn!"
He jumped
back into vocalizing and now ever more, a creation junkie for his own
songs, penned with emotion - capturing sounds from a physical vortex
which is open to everybody.
At least -
Business and Music can coexist on the same progress wheel - one going
one way, either in an inner or outer circle as the other follows going
in the same direction or opposite as its own power in the remaining
circle.
Lyle K'ang ordering
food after the 39th HAiR reunion in Los Angeles. Here he dines with
friends. October - 2007.
Thank you
-
Lyle
K'ang
Lyle K'ang was the lead
as the 'King' in the King and I. Awarded Annual Best Actor Award. Warehouse
Theater, Yakima. WA.
Lyle K'ang was the lead
in the Fantastics as 'El Gallo'. Awarded Annual Best Actor Award.
Warehouse Theater - Yakima. WA.
~ All three
Winnie Awards ~
Lyle K'ang was the lead
in Rashomon as 'Tajimaru'. Awarded Annual Best Actor Award. Warehouse
Theater - Yakima. WA.
Lyle K'ang was the lead
as the 'King' in the King and I. The audience called him 'King -
K'ang'. Awarded The Best Actor Award, Warehouse Theater - Yakima. WA.
During the
tumultuous years of 1969 to 1972, Lyle K'ang was
hand chosen to be the lead actor in the Hawaiian production of the hit
Broadway musical, HAiR.
HAiR - Lyle
K'ang as 'Claude' sings 'Flesh Failures'.
Because he
could not play on the island of O'ahu, (many residents went up in
protest against the show) he ended up playing at the Theater Royale in
the plush Hilton International Hotel in Las Vegas, Nevada for over a
year. Here he is singing the tear-jerker, 'Flesh Failures' in the last
act, towards the finale of the show on stage in Las Vegas.
He
was the only member in the show of 20 people that had completed his
tour in the military before joining the show after standing in line and
auditioning with over 1,500 people.
In 1969 as
the show opened in Las Vegas, and after a year later, the Las Vegas
Tribe became the National Tour which opened itself to every major City
throughout the continent where Lyle as 'Claude Hooper Bukowski' died
every night.
Kenny
Ortega and Lyle K'ang. Kenny is performing 'Berger' in
the Venus National Tour of HAiR. Lyle is kneeling as
'Claude'. Kenny is explaining the vastness of the universe to 'Claude',
Lyle K'ang.
HAiR closed
in Nile, Chicago for Lyle in December of 1972.
In 1973 Lyle
auditioned for a 'Hawaii-5-0' episode as a favor to
a friend and later turned down the roles as something he did not want
to pursue.
Hawaii-5-0
LYLE
K’ANG
Even after
Jack Lord, the star of the show personally came to ask Lyle at the
director's request. Lyle apologized and said he was not interested. He
just showed up because of a friend's request. He just wanted to go back
to the land and farm. After being on the road for four years, he was
ready to settle down - just wanted to touch the earth - in other words,
he wanted to smell the soil again...yet together they both managed to
talk Lyle into doing one episode of Hawaii-5-0...
